In our experience both the VFX Producer and the VFX Supervisor simply do not have the time to run an in-house team. Once a film is in full ‘postproduction swing’, the Producer and Supervisor are required to supervise and manage vendors meaning they often have little time for their in-house teams. Furthermore, in-house artists need constant supervision and feedback.
Red VFX provides an efficient solution which solves both problems. We build a custom database which is integrated with the production’s allowing the VFX Producer to receive live updates on their project. Our pipeline is better than that of long-established VFX companies, because it is alive, built specifically for each project, simple, easy to adjust and always evolving to remain the best option on the market. Not many companies can say the same about their pipeline. Contact us to ask about our more detailed, unique five-step process.
Do you not have space for an in-house team? Are you looking for high-quality VFX? Do you have numerous straightforward shots that you do not want to pay overhead expenses for?
Red VFX specialise in catering to all these needs. We are experts in any 2D comp solution, from simple multi-plate shots to digital makeup, matte painting or complicated facial replacement. Our system is scalable allowing us to expand quickly and help with your production immediately without the overhead costs of a traditional VFX vendor.
Red VFX have extensive expertise in on-set VFX supervision and in most cases our clients use our experience to provide second unit, or splinter unit cover.
Do you need a bidding proposal? Do you have colour pipeline challenges? Are you looking for money-saving ideas or VFX solutions?
Red VFX are here to support your project. We are experts in our field and can execute any step of the VFX process to the highest degree, including, but not limited to colour pipeline, formatting, workflow, setup, custom tools, reporting systems and deliveries. In several previous projects our VFX workflow was considered to be of such high quality that it was used for the whole film project, and our colour pipelines have been distributed to other VFX vendors.