We coined the
In-House VFX Supervisor.

On a big show, the VFX Supervisor lives with the vendors.
The in-house team gets what's left: a few artists, a few simple shots.

A new role: the In-House VFX Supervisor.
Someone who reads the show fast, earns the main Supervisor's trust, and runs the whole in-house team.

Then we built what's behind it.
A pipeline set to each show's spec in 72 hours. Visual tools to track hundreds of shots at once.

We help productions hire the best talent directly.
Full transparency. Full control over cost.
Every artist is a gem, each the best at something different.

The same technology now powers our vendor work.
A trusted circle of senior artists around the world. Every shot goes to the artist who does it best, and fastest.

That's the secret.